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Black Wednesday, the banning of 19 Black Consciousness Movement Organisations

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It was known as Black Wednesday. On October 19, 1977, The World and Weekend World were banned. The editor of The World, Percy Qoboza, who became the editor of City Press in 1984, was taken into detention and held for five months under section 10 of the Internal Security Act in Modderbee Prison. Further, the apartheid regime declared illegal 19 Black Consciousness organisations and detained scores of activists. That day is now commemorated in South Africa as “Black Wednesday” and is also marked as National Press Freedom Day. Besides banning independent media in an attempt to hide horrendous acts by the regime at the time, authorities acted quickly after coverage of Steve Bantu Biko's murder in September the same year. Biko was one of the leaders of the Black Consciousness Movement, and was arrested in August that year under the Terrorism Act. This move was done in terms of section 10 of the apartheid government's Internal Security Act, which allowed them to arrest, detain and or ban whomever it felt was a threat to the regime. The media gag was to stop journalists from trying to expose the regime, and so the day was deemed Black Wednesday. The day is now marked as an important platform for discussions on media freedom and the extent to which media freedom improved from all those years ago. The right to press freedom and freedom of expression is an important cornerstone of democracy.

Remembering the Blue Notes: South Africa’s first generation of free jazz by Gwen Ansell, 11 September 2017

“We were all kind of rebels,” drummer Louis Tebogo Moholo-Moholo recalls, “so, like birds of a feather, [we] flocked together.”

He’s talking about the Blue Notes, a multiracial modern jazz outfit formed in Cape Town in the early 1960s. White composer and pianist Chris McGregor joined forces with some of the most radical young black players on the city’s scene: alto saxophonist Dudu Pukwana, tenor saxophonist Nikele Moyake, trumpeter Mongezi Feza, bassist Johnny Mbizo Dyani and Moholo-Moholo, the only original Blue Note still alive and working.

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What lost photos of Blue Notes say about South Africa’s jazz history by Lindelwa Dalamba , 14 October 2019

In 1964 a young South African student and photography enthusiast, Norman Owen-Smith, took his Leica camera along to a jazz concert at the then University of Natal Pietermaritzburg’s Great Hall and captured a series of black and white images of the band, the Blue Notes.

Through the intervention of jazz scholars, these photos have been printed, restored and exhibited, years after the band became iconic.

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